week8aSeason Two: Episodes 3 – 6

Welcome back to Re-Watch Week Number Eight! This week we will be reviewing Season Two’s Orientation, Everybody Hates Hugo, … and Found, and Abandoned. As always, I’m focusing my attention on John Locke and noting anything else that piques my curiosity or interest.

Looking at Locke:

These four episodes take place on days 45 through 48 on the island. We are still caught up in the standoff inside the Swan Station between Jack and Desmond with Kate in the air vent above them and Locke at gun point. We saw this scene from Jack’s perspective in Man of Science, Man of Faith and Locke’s perspective in Adrift and again here in Orientation. I find it interesting to note that Locke has a flashback about his group therapy session in the midst of this confrontation. Usually when a flashback appears, there is some action, or conversation that triggers a flashback event. However, in this scene in which Locke has a gun pointed to his head while Desmond threatens to shoot him unless Jack drops his weapon, there is no correlation to the events happening to this flashback of John Locke in his group therapy class. Regardless, the flashbacks of Locke in the episode Orientation allow us to see exactly what kind of psyche he has and why he is the perfect candidate for the Man In Black’s machinations. In these flashbacks, we are privy to the knowledge that John Locke has been unable to move forward emotionally since Anthony Cooper conned him out of his kidney. He is emotionally stuck in cement and cannot find outside help or inside strength to get past what his father has done. If that was the extent of his behavior issues, I would have understandably been empathetic to his situation and been attracted to his character. But John Locke shows us more than just an unwillingness to let go. He is simply pathological. In the group therapy sessions he mocks and trivializes other people’s struggles and feelings and believes his situation to be more noteworthy. He gives nothing emotionally towards his relationship with Helen and leaves her constantly to go stake out his father’s compound. And despite Anthony Cooper coming out to his car and telling him to get over it, bug off, and don’t come back, John goes back for more. I’m not a clinical psychologist, but you don’t have to be one to recognize that Locke is emotionally crippled, narcissistic, weak of character, and completely unable to make choices. He himself admits that to Helen, the night she launches his keys over Cooper’s electric fence. John Locke is mentally frozen in time, like an eight year old, unwilling to see the forest through the trees and change his life. And that inability to CHANGE, to take a risk and move in a different direction is what makes John THE PERFECT candidate for the Man In Black. Unfortunately for the MIB, however, it makes trying to get John Locke down the path he needs him to be that much harder. For John has sunken his teeth into the Swan Station being his Destiny hook, line and sinker, and try as he might, the MIB cannot get his loophole off this fishing line. Desmond, of course, feeds this fire, by asking Locke “Are you him?” and forcing John to enter the numbers in the computer. John is completely and utterly fascinated and intrigued with the station and it’s blinking lights and old technology. When the standoff ends with a bullet in the countdown computer and Desmond dashing around looking for parts to prevent imminent catastrophe, John has already bought in to the Swan as some big, big, thing. Of course he’s there to save the world. After all, he is Special. Destiny would not bring him all this way for a con! So like a Las Vegas gambler with nothing to lose and hope in his heart, John Locke pushes all his chips into the center of the table and declares, “ALL IN”.

Jack Shephard, on the other hand, is more practical and more doubting of the situation. He thinks the Swan Station is a complete hoax, even after watching the Orientation video. The world will blow up in 45 minutes? Hah! And he’s right! Let’s take our own “time out” and really think about this! Would one person, a man who Jack himself saw running stairs in preparation for an around the world boat race, be ENTIRELY responsible for the lives and welfare of everyone on the planet? Would the powers-that-be in designing this “saving the world” technology not have at least upgraded their antiquated computer system at least ONCE in twenty years? Would they not have designed an automated key entry system instead of relying on a human soul to be alert and focused every hour and forty-four minutes? Would they leave a computer illiterate ALONE without any communication from the outside world? Would they really attempt to scare the people responsible for saving the planet with words like “quarantine” stamped large on outdoor exits? And would they really have the best candidate for this job be someone who, as soon as the computer stops working correctly, immediately packs their bags and runs for the hills? It’s clearly obvious to any critically thinking person that there are serious flaws in what Desmond is saying. And the Orientation video certainly does not add any weight to the argument either. It doesn’t mention saving the world or the consequences of not pushing the button. It simply says that ‘the future of the project is in your hands’ and that thanks are given by ‘the DeGroots, Alvar Hanso, and the Dharma Initiative’. Call me crazy, but saving the world is slightly more than a project, wouldn’t you agree? And where are the international organizations that, too, would have a very vested interest in this operation? Sorry, folks, but it just doesn’t pass the smell test. And Jack Shephard knows it. But he’s down in the Swan Station with Mr. I’ve-Got-A-Destiny, who buys the entire kitten-caboodle without question. Locke’s blind faith, his inability to let go of things, and his life in a bubble of narcissism are road blocks that prevent him from seeing the reality of situations. He spent months sitting in his VW Bug outside his father’s compound after Cooper told him go get lost. He lost Helen because he could not let go. And now, in this hatch, he AGAIN refuses to budge. This is his Destiny, damn it!

week8bWhat I find so unappealing about John Locke’s character is not in his focus. Or in his stubbornness. It’s in his weakness. When the computer shorts the entire electric system in the station and Desmond makes a run for the door, Locke begins to squirm. After Kate leaves for Sayid, the all purpose technology, electrical, and nuclear deactivating dude on the island and Jack walks away wanting nothing to do with this farce, Locke is left alone. And you see him for what he really is: a scared, weak, pitiful man. He doesn’t know what to do! He stumbles around, bumps into tables, knocks stuff onto the floor and starts yelling to the heavens. There is no composure. The man who calmly told Jack that Desmond would ‘fix it’ is now looking like a chicken with his head cut off! “This wasn’t supposed to happen…. Why is this happening like this?… What am I supposed to do!”, he screams to no one. You wonder why John Locke, of all the people that have come to the island for hundreds of years, is the MIB’s loophole? It’s because his convictions and principles are WEIGHTLESS. George Patton once said, “When the going gets tough, the tough get going.” John Locke wouldn’t know the word tough if it kissed him smack on the lips and bought him breakfast. He is a weak, unanchored, childish man who has to be lead by the nose and petted like a scared puppy. Which is why, after Sayid fixes the computer and the countdown is almost at zero, that he doesn’t have the conviction to push the button. He stares at but cannot push it. It’s no different than when he got Kate to go down the hatch hours earlier. He couldn’t go down the hatch first, he needed someone to lead the way. And now he can’t push the button first, he needs Jack to lead the way. He cannot make decisions or choices. Someone has to do that for him. And once Jack, who we’ve seen allows for the possibility of outside forces, pushes the button, Locke goes back into his calm, composed, persona. “I’ll take the first shift”, he peacefully remarks.

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                                                  Hey Lostaholics!

 

LU BLACKGet ready to go back to school!  Student Enrollment at LU Begins on September 22! 

 

 

PROSEPECTIVE STUDENTS

A world of knowledge awaits you here at LOST University! As a student at LOST University, you will have the opportunity to dig deeper into the themes and mysteries of LOST, while at the same time exploring fascinating topics and subjects that relate to the world you live in.

Enrollment for the first semester of LOST University will be open to all students beginning September 22, 2009. At that time, you will take a placement exam and be given a Student ID, as well as be able to watch your LOST University introductory class, LOST 101. Semester 1 begins on December 8, 2009.

Pick up LOST: THE COMPLETE FIFTH SEASON on Blu-rayTM Hi-Def, complete enrollment, and personalize your course schedule as you build credits toward Semester 2… and ultimately, graduation. In the meantime, feel free to browse the online course catalog and get a head start with some of your recommended reading. And keep a lookout for new LOST University features in the near future, from more online classes, to exclusive iPhone applications, and more

Some of the coursers offered are:

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The small world of the castaways gets bigger in this week’s block of episodes. We meet Desmond and a whole boatload of Others. We get to know Rousseau a little better. And as we see the “Udders” of Jin’s warning, we get our first glimpse of the Tailies. And we finally get into my favorite set location, the hatch. It was a lot harder for me to weave a central thread through all of the hours in this week’s block. Week #7 had a whopping 5 hours of Lost goodness. And since it was the first season’s finale as well as season 2’s loaded premiere, I will give a quick story overview and then dive into all the mythology and any reset tie-ins I can come up with for each episode. So join me as I take a look at Exodus Part 1, Exodus Part 2, Man Of Science, Man Of Faith, and Adrift.

exoduspart1-290Exodus Part 1

Rousseau cons the camp into believing the Others are coming for Aaron. She creates that diversion and chaos so that she can kidnap him herself and then trade him for her own daughter, Alex. She takes a group to the Black Rock, which we discover is actually a tall sailing ship, mysteriously marooned 2 miles inland. There, the group of Losties retrieve dynamite. Dr. Arzt dies during this endeavor. The islanders exchange goodbyes with the raft volunteers. The raft launches amidst joyful shouts of the castaways.

Mythology

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Season One: Episodes 23 & 24

Season Two: Episodes 1 & 2

week7bWelcome back to Re-Watch Week Number Seven! This week we will be reviewing Season One’s two-part finale, Exodus Part I and II, and Season Two’s first two episodes, Man of Science, Man of Faith and Adrift. As always, I’m focusing my attention on John Locke and noting anything else that piques my curiosity or interest

Looking at Locke:

These four episodes, except for the last scene of Adrift, all occur on day 44 on the island. In last week’s three episodes, you may have noticed that time on the island had contracted to days. Now, as we roll into the finale and the next season’s premiere, the writers have shrunk time down into minutes. We see that the dynamic between John Locke and Jack Shephard is becoming tense with Jack always thinking of what’s best for everyone in the camp, while John is constantly focused on achieving his Destiny. Everything to him is a means to an end. And he believes that it all ends at the hatch. So when Danielle Rousseau walks into the camp with news of the Others and their imminent arrival, the opportunity arises for Locke to get the hatch open under the ruse of providing shelter and safety for his compatriot survivors. I find it interesting that the Smoke Monster chooses to appear on their way to and from the Black Rock. Could it be trying to thwart their mission and prevent them from using the dynamite to blow up the hatch? As you may know from my prior articles, I believe that John Locke has been directed or moved by the island and the Man In Black in some form or fashion. “I have done everything you wanted me to do”, the words spoken in frustration by Locke at the hatch just days earlier, speak volumes of John’s role as a foot soldier guided by an unseen general. Yet the hatch stays shut, day after day after day. One has to wonder if perhaps the hatch is not part of the MIB’s machinations, and try as he might, he cannot get his foot soldier on the right path. He provided John with the dream pointing to the Beechcraft and took away feeling in Locke’s legs to try to focus him in the right direction. But, like a pit bull playing tug-o-war, John Locke’s mind is completely unwilling to let go of the hatch as being his Destiny. So the island general, MIB, has to up it a notch by bringing in his tank division, Mr. Smoke Monster, to try to intercept the Losties bringing back the dynamite. The question you have to ask is this: why would the MIB not want the hatch opened? Well, we can see in hind sight that the hatch was nothing but a stall in creating MIB’s loophole. Until the Swan station explodes, John Locke is unable to fulfill what the MIB has in store for him. From the moment the hatch is blown open until the fire safe button is pressed by Desmond, Locke no longer communes with the island. He doesn’t sit on the beach and stare out to sea, hunt, predict rain, or just take a stroll. He is underground and pushing a button every one-hundred eight minutes… for almost thirty days. Therefore, to me, the appearance of Smoky and his attempt to drag John Locke down the bunny hole confirms that the island is not happy with the absorption in the hatch.

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donoharm851This week I am continuing my practice of trying to find a common element or thread in the block of episodes as a whole. Some weeks that is easier said than done. For Nancy’s podcast they always try to find the central theme of any given show. It’s hard enough to do that for an individual episode, without adding 2-3 more into the mix. The theme I have zoned in on this week is ‘Holding On’. This is also known as ‘not letting go’. That phrase of course always brings Jack to mind and he is well represented below. I will also be pointing out the mythology aspects as well as other points of interest. So enjoy my thoughts on week 6 of the Lost Rewatch.

Do No Harm

Holding On

The idea of holding on is all over this episode. Boone knows that he’s dying. Jack’s attempts to prevent this will only delay the inevitable. But Jack is a fixer. His flashback speaks to that. Christian even says, ” Commitment is what makes you tick, Jack. The problem is you’re just not good at letting go.” In fact the only time we see Jack able to let go at all, is in 1977 Dharmaville. Jack is so determined that Sun has to pull him away, time and again. Sun tells him, “You can’t save him Jack. You just can’t!” Only to be rebutted with, “Don’t tell me what I can’t do!”  Jack even pours his own blood into Boone in an heroic attempt to save him. Jack enlists Michael to rig up the plane’s cargo hold to act as a guillotine. Jack says resolutely “can’t use the axe.” Now upon first watch back in the day, I thought he meant it wouldn’t be a clean enough cut. Now I realize it’s because the axe isn’t even in the camp! Locke had Boone steal it from the camp, and be sure not to be seen. Boone had been babbling about a plane and a hatch and how he wasn’t supposed to tell. Jack’s fury at Locke is growing with each passing moment. Locke’s lies directed Jack’s medical treatment in the wrong direction and may have prevented him from saving Boone. Now he finds out that Boone was made to lie as well. Finally Boone convinces Jack to let him go. “I know you made me a promise, but I’m letting you off the hook.” This is the same thing Rose says to him after the crash. It’s also the same thing that Sarah said to Jack just moments before her spinal surgery. Though Shannon was too late to say her last goodbyes to him, his final thoughts were of her. As Giacchino’s Life and Death theme play, Claire shares the joy of her son’s birth as Jack tells Shannon the tragic news of her brother’s death. Later as Kate reaches out to him, he has turned his frustration into full on rage toward John Locke. This is despite, or perhaps because of his massive blood loss in service to Boone. “Boone died Jack.” “He didn’t die. He was murdered.” “Where are you going?” “To find John Locke!”

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normal_borntorun732With the end of Season 1 in our sights, this week’s episode block began the build up that will take us into Season 2.  Watching “Do No Harm”, “The Greater Good”, and “Born To Run” wasn’t as eventful for me in the note-taking department as some of the other weeks have been, but everything shown was key in telling the story through to the end.  With Boone’s death and Aaron’s birth, I’ve started to realize why the writers have taken such effort to humanize Shannon and make us trust Kate.  It’s truly amazing that after 5 years of watching this show and knowing all the ins and outs of it, I’m still able to see things I had never seen before and understand concepts that I just couldn’t wrap my mind around at the time.

In “Do No Harm”, a Jack-centric episode showing flashbacks to Jack’s wedding to Sarah, we see how “commitment makes [Jack] tick” and that he’s “not good at letting go” as he tries to save Boone’s life on the island with limited medical supplies.  We also know from later episodes that this whole explanation into Jack as a person affects his marriage and divorce, as well.  We also see how Jack seems to be taking some sort of lessons from John, having that “don’t tell me what I can’t do” attitude.  As Jack tries one last ditch effort of saving Boone’s life, he prepares to amputate Boone’s leg, but is stopped when Boone tells him that he is letting him “off the hook”–a line spoken twice before in the history of the show.  The first time we heard this line, Rose sat on the beach with Jack and told him that he didn’t need to keep his promise of staying with her and that she was letting him off the hook.  This episode becomes the second with that particular line, leaving the Season 2 premiere the next, with Sarah saying it to him when she’s on the operating table prior to surgery.  The promise he made her at that time was that she would dance at her own wedding.

normal_donoharm857This episode has a huge yin/yang feel to it as we lose one life to be replaced by another with the birth of Aaron.  Kate, the new island midwife, has just delivered the son that she will eventually come to raise off island after rescue.  Before the intense labor begins, Sawyer offers her some fish when she walks by on the beach.  To me, this was a mirror image on two levels.  First, after the crash of Oceanic 815, Aaron was inactive making Claire worry.  It wasn’t until Jin gave her fish to eat that Aaron finally came “alive” inside her belly.  Sawyer offering her fish this time made me wonder if her turning it down was due to her memory of the fish making Aaron active.  There is also the mirroring of Jacob sitting on the beach eating his fish with a leaf plate and offering it to his enemy, who coincidentally turned it down, much like Claire did in this episode.

This episode had one thing, though, that really stood out to me and I can’t remember if I’ve ever noticed it before.  When Jack and Michael were setting up that sliding door that would become a tool for amputation, Jack slid the door up and down once.  The noise made from this door sounded exactly like the noise that Smokey has made so far this season.  It was so similar that I had to listen to it again and again to find out if we were supposed to associate that noise or if it was something completely different.  I’m sticking to it being the same.

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watch thumbGoing into this week, I had this hope that this week would bring a little relief in the information to be processed solely based on the fact that we were given one less episode to cover.  Obviously, I was overlooking the fact that all three of the episodes were thick with island mythology and character development!  Our episodes this week, #17-19 of Season 1 (…..In Translation, Numbers, and Deus Ex Machina), reminded us of the distance between Sun and Jin while we sit remembering the “time” distance between them now in Season 5, explained the start of the “Numbers” and how it has made some wonder if they are, in fact, Hurley’s “compass” making a connecting loop with him between the 1970’s and the early 2000’s, and laid the foundation for understanding John Locke’s hardships before his disability of paralyzation had anything to do with him.  I think it’s time for me to just accept the fact that long articles and lots of information are my destiny and that some things are just meant to be.  See you on the other side!

in-translation017Our first episode this week, “…In Translation”, was considered to be Jin-centric, although I just see it as a Sun AND Jin-centric episode seen through Jin’s eyes.  It basically shows their marriage, as seen in “House of the Rising Sun”, from Jin’s perspective and his role in the Paik family business.  To me, though, this episode was more about the on-island, present day stuff, instead of finding connections in the flashback.  That being said, the flashback reminded me of desk boxes and watches–two of my favorite subjects, and completely defined who Jin is, especially when we witness the conversation between him and his father.  We also see in this flashback, that it wasn’t Jin’s father that became the “daddy issue”, but rather it was Jin being embarrassed of him because of his fisherman status.  Jin later apologizes to his father about this, leaving his protection of, and ways in which he protected Sun from the truth of her father the only things weighing on his conscious when he came to the island.  With that, I’m sure he felt the ends justified the means and that he acted for the “greater good”.

On the island, we see the first raft bonfire, which seemed to foreshadow what was to come with the completed raft on the night Walt is taken.  The ironic bit would be that this time, John lies to cover for Walt in saying that “they’re not alone on the island” and it was the “others” that did it, which is exactly how it will play out in days to come.   Jin becomes suspicious of Sun’s involvement with Michael, which knowing about Sun’s affair with Jae Lee made that whole scene mean so much more than just having a jealous, controlling husband, and later learns that she has been able to speak English the whole time they’ve been on the island.  Overall, though, I felt the on-island stuff with Sun seemed to mirror the flashbacks of Jin in that they were both lying to protect the other from being hurt and, ultimately, trying to walk away from the marriage that was blessed by Jacob.

In other happenings on the island, John informs Shannon that “everyone gets a new life on this island” and we see Walt and John having a heart-to-heart over a game of backgammon.  This conversation foreshadows the next two in this block by stating that Hurley was “good for it” in owing Walt $83,000 for backgammon losses and that John’s dad was “not cool”.  It’s also revealed at this time that it was Walt who destroyed the raft and he did it because he doesn’t want to move again.  Both Walt and John agreed that they like the island and life on it.

Continue reading »

normal_borntorun732With the end of Season 1 in our sights, this week’s episode block began the build up that will take us into Season 2.  Watching “Do No Harm”, “The Greater Good”, and “Born To Run” wasn’t as eventful for me in the note-taking department as some of the other weeks have been, but everything shown was key in telling the story through to the end.  With Boone’s death and Aaron’s birth, I’ve started to realize why the writers have taken such effort to humanize Shannon and make us trust Kate.  It’s truly amazing that after 5 years of watching this show and knowing all the ins and outs of it, I’m still able to see things I had never seen before and understand concepts that I just couldn’t wrap my mind around at the time.

In “Do No Harm”, a Jack-centric episode showing flashbacks to Jack’s wedding to Sarah, we see how “commitment makes [Jack] tick” and that he’s “not good at letting go” as he tries to save Boone’s life on the island with limited medical supplies.  We also know from later episodes that this whole explanation into Jack as a person affects his marriage and divorce, as well.  We also see how Jack seems to be taking some sort of lessons from John, having that “don’t tell me what I can’t do” attitude.  As Jack tries one last ditch effort of saving Boone’s life, he prepares to amputate Boone’s leg, but is stopped when Boone tells him that he is letting him “off the hook”–a line spoken twice before in the history of the show.  The first time we heard this line, Rose sat on the beach with Jack and told him that he didn’t need to keep his promise of staying with her and that she was letting him off the hook.  This episode becomes the second with that particular line, leaving the Season 2 premiere the next, with Sarah saying it to him when she’s on the operating table prior to surgery.  The promise he made her at that time was that she would dance at her own wedding.

normal_donoharm857This episode has a huge yin/yang feel to it as we lose one life to be replaced by another with the birth of Aaron.  Kate, the new island midwife, has just delivered the son that she will eventually come to raise off island after rescue.  Before the intense labor begins, Sawyer offers her some fish when she walks by on the beach.  To me, this was a mirror image on two levels.  First, after the crash of Oceanic 815, Aaron was inactive making Claire worry.  It wasn’t until Jin gave her fish to eat that Aaron finally came “alive” inside her belly.  Sawyer offering her fish this time made me wonder if her turning it down was due to her memory of the fish making Aaron active.  There is also the mirroring of Jacob sitting on the beach eating his fish with a leaf plate and offering it to his enemy, who coincidentally turned it down, much like Claire did in this episode.

This episode had one thing, though, that really stood out to me and I can’t remember if I’ve ever noticed it before.  When Jack and Michael were setting up that sliding door that would become a tool for amputation, Jack slid the door up and down once.  The noise made from this door sounded exactly like the noise that Smokey has made so far this season.  It was so similar that I had to listen to it again and again to find out if we were supposed to associate that noise or if it was something completely different.  I’m sticking to it being the same.

Continue reading »

watch thumbGoing into this week, I had this hope that this week would bring a little relief in the information to be processed solely based on the fact that we were given one less episode to cover.  Obviously, I was overlooking the fact that all three of the episodes were thick with island mythology and character development!  Our episodes this week, #17-19 of Season 1 (…..In Translation, Numbers, and Deus Ex Machina), reminded us of the distance between Sun and Jin while we sit remembering the “time” distance between them now in Season 5, explained the start of the “Numbers” and how it has made some wonder if they are, in fact, Hurley’s “compass” making a connecting loop with him between the 1970’s and the early 2000’s, and laid the foundation for understanding John Locke’s hardships before his disability of paralyzation had anything to do with him.  I think it’s time for me to just accept the fact that long articles and lots of information are my destiny and that some things are just meant to be.  See you on the other side!

in-translation017Our first episode this week, “…In Translation”, was considered to be Jin-centric, although I just see it as a Sun AND Jin-centric episode seen through Jin’s eyes.  It basically shows their marriage, as seen in “House of the Rising Sun”, from Jin’s perspective and his role in the Paik family business.  To me, though, this episode was more about the on-island, present day stuff, instead of finding connections in the flashback.  That being said, the flashback reminded me of desk boxes and watches–two of my favorite subjects, and completely defined who Jin is, especially when we witness the conversation between him and his father.  We also see in this flashback, that it wasn’t Jin’s father that became the “daddy issue”, but rather it was Jin being embarrassed of him because of his fisherman status.  Jin later apologizes to his father about this, leaving his protection of, and ways in which he protected Sun from the truth of her father the only things weighing on his conscious when he came to the island.  With that, I’m sure he felt the ends justified the means and that he acted for the “greater good”.

On the island, we see the first raft bonfire, which seemed to foreshadow what was to come with the completed raft on the night Walt is taken.  The ironic bit would be that this time, John lies to cover for Walt in saying that “they’re not alone on the island” and it was the “others” that did it, which is exactly how it will play out in days to come.   Jin becomes suspicious of Sun’s involvement with Michael, which knowing about Sun’s affair with Jae Lee made that whole scene mean so much more than just having a jealous, controlling husband, and later learns that she has been able to speak English the whole time they’ve been on the island.  Overall, though, I felt the on-island stuff with Sun seemed to mirror the flashbacks of Jin in that they were both lying to protect the other from being hurt and, ultimately, trying to walk away from the marriage that was blessed by Jacob.

In other happenings on the island, John informs Shannon that “everyone gets a new life on this island” and we see Walt and John having a heart-to-heart over a game of backgammon.  This conversation foreshadows the next two in this block by stating that Hurley was “good for it” in owing Walt $83,000 for backgammon losses and that John’s dad was “not cool”.  It’s also revealed at this time that it was Walt who destroyed the raft and he did it because he doesn’t want to move again.  Both Walt and John agreed that they like the island and life on it.

Continue reading »

in-translation361…In Translation

We learn more about Jin’s life before coming to the island. He had gone to Sun’s father to ask permission to marry her. This was a point of honor. We see this same ritual  played out by Sayid with Boone. However since Sayid doesn’t respect Boone, it is explained that it is only out of courtesy. Honor and shame are covered in this episode. Mr. Paik insults Jin by asking why he should hand his daughter over to a man who would so easily sell his dreams. “Because she is my dream.” Before their wedding reception Jin tells her they will have to postpone their honeymoon so that Jin can prove to Paik that he is committed to him and his training. In ‘Deus Ex Machina’ a show of commitment will later be required of Locke as well. His commitment will unfortunately be in the form of human sacrifice.The shame that Jin has from his flashback’s is almost as ugly. He unwittingly found himself working as Paik’s enforcer. In order to spare Han’s life, he beat him senseless in front of his child. Unlike so many other characters in the series, Jin was not deterred from his ugly mission simply because a child was present.  At the beginning of Jin’s first visit, he removes his shoes upon entering Han’s home, as a sign of respect. The second time when he beats him, he doesn’t bother. Later when Michael confronts Jin about the burning of the raft, Jin lets him think that he did it, even taunting him. As Michael starts to beat him he taunts him. This is just like when Sawyer egged Sayid into punishing him for something he didn’t do. Just as in that case, Jin was punishing himself for something else he had done that had gone unpunished.

New life and starting over were also strong themes in this show. Michael tried to get  Walt excited about starting again in New York City. This unfortunately led to Walt’s sabotage of the raft. Michael mistakenly blamed Jin for this. Later he tells Walt, “We all have setbacks…That’s just life. We’ll start over.” When Boone tries to sabotage Shannon’s budding relationship, Sayid tries to distance himself from her. Enraged she goes looking for Boone, and finds Locke instead. Locke encourages her to keep seeing Sayid and ignore Beoone. “Everyone gets a new life on this island Shannon. Maybe it’s time you start yours.” First of all, if this had been said by anyone else I wouldn’t question it’s sincerity. However, rather than being helpful, I suspect that Locke is being an agent of chaos here. Also I can’t help wonder if his invitation for her to start her new life, is an invitation to start it in the afterlife. I smell a rat. Maybe it’s the one he’s cleaning to eat. Ok, first of all gross. Secondly I have to bring up the fact that we got a lot of rat references in seasons 4 & 5. Widmore accused Ben of sneaking into his bedroom like a rat. We had Eloise the rat. And then Widmore told the Others that he caught Kate and Jack crouched in the bushes like rats. Those are the ones that I can remember off the top of my head. The references were getting noticable to a lot of us. Sun begs Jin to start fresh with her. “I want to go back the beginning. Can’t we …just start all over? Though Jin refuses her request, we see that he too had longed for that back home in South Korea. “In a good world she would hate him, not me.” His father replied that “It is a good world”. Shannon declared that she was going to have her new life. It appeared that Sun was too, as she let her swimsuit cover fly and set herself free in the baptismal waters of the ocean.

The theme of black and white was fairly obvious in this episode. We see the return of the white flower as the symbol of Jin’s love for Sun. In the beat down scene, Jin is wearing a black suit and tie with a white shirt. The assassin is wearing a white suit and black shirt.Also the theme of starting over works well with my ongoing question of a reset for season 6.

Interesting to note:

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